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      <image:title>Visual reflections</image:title>
      <image:caption>Image: my pepeha. This my reflection on positionality and relational theory</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Bobby Luke's phone showing notes for annotations. This was a conversation Bobby and I had about referencing while travelling to Turtle Island.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Dress and bag by designer Nonamey - Anishinaabe, Portland, Oregon, USA. And it speaks to Blood quantum. Blood quantum fractures genealogy, Kauanui (2008).</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: The description for the Dress and bag by designer Nonamey - Anishinaabe, Portland, Oregon, USA. which speaks to Blood quantum. Blood quantum fractures genealogy, Kauanui (2008).</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: shows one of the many workshops I did with Te Ranga Kura Whakairo, this was for matariki in 2008 at Orakei Marae. This is my reflection on indigenous ways of learning.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Me (Nichola) in my tari container at home. It speaks to my practice-led research. Here I am in the midst of my creative space working through an idea.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Different Ngai Tūhoe fonts. Ko Tūhoe toku iwi... positionality &amp; whakapapa.. important aspects of research.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Reirei Kingi harvesting Harakeke for our kaupapa in Orakei. This is my visual reflection on Politics of Recognition - Glen Coulthard.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Drawing of Waipuna-a-rangi. Bobby Luke's challenge to the personification of atua made me reconsider this image. If Waipuna-ā-rangi is not human, how might her presence be represented instead?</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Mood board for a creation I made representing Hinepūkohurangi. One of my many reflections about pūrakau.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Nga Mara earring template. Kaupapa Māori theory provides a space where my whakapapa, experiences, and creative practice are not separate from the research, but fundamental to it. It is a space for me to be me... which I feel relates to when I create.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: the Nichola team in 2023. To me this image speaks to responsibility. I am responsible to more than just my objectives and research question... there are many responsibilities and accountability to research. Which I already feel as a leader within my team.. but on a different level.l</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Ahau - this is me picture of models wearing the ahau collection. This image speaks to silencing the negative voices in our head. The imposter syndrome... which I can feel when doing research.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Waimana gorge, also known as Turangi awa. "Freedom is acquired by conquest, not by gift" (Freire, 2005, p. 47)</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Hautūtanga Tee Dress. Visual response and reflection of my visual language. Something I am just now starting to understand and claim.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Model at Miromoda fashion show, Pataka, Porirua, 2017. Matariki.. as kākahu. Representing embodied knowledge.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: A tohu I created to represent matariki the constellation. More of my visual language.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Hiriwa Whiri (Te Kiri) my nan outside her whare in Whakatane 1980. She is someone I would have loved to have a conversation with about this idea of hononga, because she was a deeply wairua and superstitious wahine.</image:caption>
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      <image:caption>Image: Container of resin taonga I made in 2025. Creating resin taonga often feels therapeutic. As I reflected on Vaioleti's concept of vā, I wondered if this creative space (and potentially a space of vā) is where my hononga with each piece begins to form through the act of making itself.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Me in deep thought during the covid lock-downs. Reflecting.</image:caption>
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      <image:title>Visual reflections</image:title>
      <image:caption>Image: Model wearing one of my HInepūkohurangi looks at NZFW 2018. Pūrakau embodied in kākahu and fashion.</image:caption>
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